
|
Director |
HARIEL |
|
|
Genre |
Experimental |
|
|
Runtime |
11’ |
|
|
Year |
2025 |
|
|
Nationality |
Italy |
A video call and three men struggling to understand each other despite their attempt to use English. A gaze from above or from elsewhere, and a computer that seems to turn into the Tower of Babel. A journey into the decayed flesh of images, toward the knowledge of their creator, toward the discovery of something intimate about themselves in a place where bodies appear for what they are. And then him.
|
Director |
HARIEL |
|
|
Genre |
Experimental, Horror |
|
|
Runtime |
11′ |
|
|
Year |
2025 |
|
|
Nationality |
Italy |
|
|
Screenplay |
Pietro Lafiandra |
|
|
AI artist |
Flavio Pizzorno |
|
|
Editing |
Andrea Rossini |
|
|
Production |
Neural Network |
|
|
Cast |
Jacopo Adolini Gianpaolo Caloyera |
|
|
Sound |
Andrea Rossini |
|
|
Music |
Andrea Rossini & LIMONOV |
|
|
3D Artist |
Irene Cavazzoni Pederzini |
|
|
Colorist |
Andrea Sanna |
|
|
Creative Director & Title Design |
SamSalaStudio |

HARIEL is the Italian collective for cinema in artificial intelligence. Founded by Pietro Lafiandra, Flavio Pizzorno, and Andrea Rossini, HARIEL explores the new aesthetics born from the use of closed-source and open-source generative models. Their humanist manifesto for cinema in artificial intelligence, published on 01.04.2025, represents the first attempt to formalize a culturological approach to algorithmic images.
2025