
|
Director |
Ekaterina Selenkina |
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Genre |
Experimental, Hybrid |
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Duration |
73’ |
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|
Year |
2021 |
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Nationality |
Russia, Netherlands |
A sprawling meditation on the choreography of bodies in Moscow’s urban landscape, Detours depicts a new way of dealing illicit drugs via the Darknet, the layering of the physical and the virtual realities, as well as a poetics, and politics, of space. Taking place in sleepy neighbourhoods, among the concrete walls of high-rises, behind garages and amidst abandoned railroads, the film alternately follows and loses track of Denis, the treasureman who hides stashes of drugs all over the city.
|
Director |
Ekaterina Selenkina |
|
|
Genre |
Experimental, Hybrid |
|
|
Duration |
73′ |
|
|
Nationality |
Russia, Netherlands |
|
|
Producers |
Vladimir Nadein Ekaterina Selenkina |
|
|
Co-producer |
Rogier Kramer Dutch Mountain Film |
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|
Cinematographer |
Alexey Kurbatov |
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Editor |
Luis Gutiérrez Arias Ekaterina Selenkina |
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Production designer |
Darya Litvinova |
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Costume designer |
Anna Braude |
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|
Sound |
Andrey Dergachev |
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Lead actor |
Denis Urvantsev |
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Produced with support of |
Hubert Bals Fund Script and Project development grant – International Film Festival Rotterdam Eurimage Lab Project Award – Les Arcs Film Festival |

Ekaterina Selenkina is a filmmaker, curator, and activist born in St. Petersburg in 1992 and currently based in Berlin. Her debut feature Detours (2021) received awards at the Venice International Film Festival, Camden IFF, FILMADRID, and New Holland Island IFF, as well as the Bright Future Award from the Hubert Bals Fund and the Eurimages Lab Project Award at the Les Arcs Film Festival.
Her work has been shown at Venice International Film Critics’ Week, Viennale, FICUNAM, Jeonju IFF, Thessaloniki IFF, IndieLisboa, the Barbican Centre, Camerimage, Berlin Critics’ Week, REDCAT, Rencontres Internationales Paris/Berlin, Image Forum, Beldocs, Marienbad IFF, among others.
In 2022, following a performance in the Moscow metro that drew attention to the killing of Ukrainian children by the Russian army, Selenkina fled Russia due to persecution. That same year, together with a group of cultural workers and activists, she co-founded Beda, an independent online research journal examining and challenging the Russian colonial project, where she worked as an editor. She holds an MFA in Film/Video from the California Institute of the Arts.
2021
2019
2017